L’ange Anatomique by Jacques-Fabien Gautier d’Agoty, coloured mezzotint, 1746
или еще ее называют The Flayed Angel


Unfastened avidly from each ivory button
of her spine, the voluntary muscles open
virtuosities of red: Cinnabar

the mutagen, and carmine from cochineal
born between fog and frost, so many little
deaths Buddhists refuse to wear

robes soaked in its thousands. Sunsets
of other centuries fade in galleries to ash.
Red is fugitive: As the voice, the blow

of gravity along a nerve opening to an ache
the body can’t unhouse: As the carnation
suffusing cheek and haunch like saucers

from the king’s porcelain rinsed in candlelight.
Gratuitous as the curl, the urn-shaped torso,
the pensive, brimming gaze of pretty

post-coital thought she half-turns over one
excavated shoulder. As if to see herself
in a mirror’s savage theater as elegy

to the attempt to fill an exhausted form,
to learn again the old ordeals of wound
and hand and eye. To find the source of burning.